Beneath a Broken Sky

A heavy, humid atmosphere suffocates the small town of Sandy Lake, Minnesota, as smoke from Canadian wildfires casts a gray haze over the landscape. The anticipated relief from a cool front arrives, but it brings with it a violent downburst of straight-line winds, torrential rain, and hail, causing widespread destruction and loss of life. The storm’s aftermath leaves the town in chaos, with downed power lines, flooded creeks, and numerous casualties, including a ten-year-old boy killed by a falling tree. The community rallies together, sharing resources and labor to clean up the debris and restore order. Despite the camaraderie, the destruction of the town’s oldest and most beloved trees symbolizes a profound sense of loss and vulnerability, leaving residents to question their own resilience in the face of such natural calamity. The beauty of the sunsets, a rare positive note, is overshadowed by the overwhelming sense of devastation and the looming threat of further tragedy.

Deputy Ben Packard visits Jill Thielen, a new mother, to check on her and her newborn, Emelia, in the aftermath of the devastating storm that hit Sandy Lake a month ago. The town is still reeling from the destruction, with long lines of trucks at the dump and tree debris sites, and the community continues to clean up and recover. Packard, now in casual clothes after weeks of disaster response, feels out of place and reflects on his recent duties as public information officer, dealing with the spread of rumors and misinformation about the storm being man-made. As he leaves Jill's house, Packard receives a call from dispatch, indicating a new emergency.

Packard returns home after visiting Jill Thielen, only to find his house in disarray due to the storm damage. The chimney has collapsed, causing extensive damage to the roof and interior, including a sagging ceiling and cupped floorboards. Despite the setbacks, Packard remains determined to rebuild, reminding himself that others have suffered more and that the situation is temporary.

Later, Packard receives a call about a new emergency. He rushes to a house on Wood Lake, where a woman named Ashley Turner has been found dead. The storm has left the area stripped of trees, adding to the sense of desolation. Inside the house, the scene is grim: Ashley lies on the kitchen floor, stabbed multiple times, with signs of a struggle evident. Packard notices the kitchen sink, which contains a cleaver and a missing knife, and a blood-splattered phone, suggesting the killer may have been injured.

Reynolds, who appears shaken by the scene, provides details about the victim and her family. Ashley’s husband, Thomas, and their sons, Jake and Noah, were out wakeboarding when the incident occurred. Packard instructs the crime scene techs to collect evidence, including blood samples, and reflects on the false sense of safety that both he and Ashley had in their homes.

Packard and Reynolds walk to the Turner family's house to inform them about Ashley's death. Reynolds, still visibly shaken by the crime scene, is reminded by Packard to maintain composure in front of the family. As they navigate the storm-ravaged neighborhood, the destruction around them adds to the somber mood. Upon arrival, a red-haired woman with redder eyes, Emily, greets them and leads them to Tom Turner, who is in a state of shock and disbelief.

Tom, a client manager who frequently travels, explains that he and his family had recently moved to Sandy Lake from Bloomington. He and Ashley were planning to return to the Cities soon. When questioned about potential motives, Tom initially resists, feeling that Packard is implying blame. However, Reynolds mentions a past incident involving their son Noah's car being vandalized with homophobic slurs and swastikas at a school bonfire party. This leads to a discussion about Ashley's dissatisfaction with the school's handling of the incident and her intention to sue the school district.

Packard, recognizing the potential significance of the lawsuit, presses Tom for more details, including the involvement of a lawyer named Lisa Washington. Tom admits that he and Noah were against the lawsuit, but Ashley was determined to pursue it. Packard also asks about Ashley's daily routine and any unusual activity in the neighborhood, but Tom denies seeing anything out of the ordinary. Packard informs Tom that they will need access to Ashley's personal items, including her phone, which causes Tom distress due to its private nature.

Before concluding the interview, Packard inquires about the completeness of the knife set and the presence of a dish towel in the kitchen. Tom, growing increasingly impatient, confirms that the knife set is complete but is unsure about the dish towel. Noah, who is downstairs, confirms that there is a dish towel, prompting Packard to decide to speak with Noah next.

Packard descends to the basement of the Turner home, where he finds Noah engrossed in his phone. Dressed in a lime-green Brat T-shirt and swim trunks, Noah's unique personality is reflected in his multitude of bracelets and chipped nail polish. Packard, observing Noah's adept use of technology, reveals his own identity as a gay cop and expresses a willingness to support a LGBTQIA2S+ group at the school, which Noah had been trying to start.

Key Events: Packard interviews Noah about the day of Ashley's murder. Noah provides a detailed timeline of his activities leading up to the discovery of his mother's body. Based on the timeline and lack of physical evidence, Packard eliminates Noah as a suspect. Noah discusses the challenges he faced at school, including the vandalism of his car. Packard advises Noah to support his younger brother Jacob during this difficult time.

After leaving Tom and his boys with a neighbor, Packard and Reynolds discuss the next steps in the investigation. Packard assigns Reynolds to ensure the family's immediate needs are met and to keep them out of the house until the body is removed. He emphasizes the importance of interviewing everyone on the lake, searching for the missing knife and towel, and collecting DNA from all blood drops found away from the main scene. Packard heads to the office to prepare for the evening shift meeting. He calls Shepard, the former deputy, to inform him about the case, but Shepard is out fishing and drinking with his brother. At the office, Packard briefs the new shift deputies on the details of the murder and outlines the tasks for the night, emphasizing the need for thoroughness and vigilance. Upon returning home, Packard notices a strange car parked in his driveway. He checks the car and calls dispatch to run the plates, which belong to a Rose Simmons from Minneapolis. Feeling a familiar but elusive connection, Packard visits his neighbor, who introduces him to a Black woman named Symphony. To his shock, Symphony reveals that she is Marcus's sister, bringing a sudden and unexpected link to Packard's past.

Packard reflects on the five years since Marcus's death, feeling distant from his former self and the man he was when he first arrived in Sandy Lake. He and Symphony, Marcus's sister, part ways with Bert and walk to Packard's house, where the storm damage is evident. The smoky sky and the orange sun create a foreboding atmosphere, intensifying Packard's connection to Marcus through Symphony's presence.

Inside the house, Packard explains the storm damage and the chaotic state of his living room. Symphony notices the hole in the ceiling and the disarray, but Packard is more focused on her resemblance to Marcus. She reveals that she came to Sandy Lake to learn more about her brother, having tracked Packard down through various means. The conversation turns to their relationship, and Packard admits that he and Marcus were in a romantic relationship, a fact that deeply disturbs Symphony.

Symphony reacts angrily, unable to accept that her brother was gay. She accuses Packard of lying and demands to know why Marcus told him that she was dead. Packard explains that Marcus had told him to pretend she was dead, a revelation that further angers Symphony. She leaves abruptly, leaving Packard feeling devastated and alone, as if something has been taken from him again.

Packard wakes up early, feeling the effects of the poor air quality, and decides to go for a swim in the lake. As he swims, he notices the storm damage and the loss of an owl nest he had been watching. His mind drifts to the vandalism of Noah Turner’s car, and he reviews the security footage, which shows the cruel and violent acts committed by several teenagers, including Darrel Johnson, who used a pocketknife to scratch and damage the car. The possibility that the vandalism might be connected to Ashley Turner’s murder lingers in his thoughts.

At the sheriff’s office, Packard leads a debrief meeting for the night shift. He learns that the blood found at the crime scene belongs to two different individuals and that the A-positive blood sample is being sent for DNA testing. Reynolds reports on the lack of witnesses and the difficulty in tracking the murderer’s scent. Packard is then informed that Symphony Kendricks, Marcus’s sister, was arrested for driving with an expired license and being on parole. He realizes she was the woman he encountered the previous night.

Packard visits Symphony in the holding cell and explains the situation, offering to help her get back to Minneapolis safely. Despite her initial resistance, Symphony agrees to follow Packard back to his house to rest and shower. She reveals that she is on parole for drowning her baby in the bathtub, a result of postpartum depression and schizophrenia. Moved by her story, Packard insists on helping her, emphasizing their connection through Marcus. Symphony reluctantly accepts his offer, and they drive back to Packard’s house, where he sets her up with a guest room and a portable AC unit.

Packard arranges for his dog, Frank, to stay with Gary Bushwright, a former porn star turned dog rescuer, due to the ongoing murder investigation and the presence of Symphony, who is afraid of dogs. After ensuring Frank is well-cared for, Packard heads to meet Lisa Washington, the local attorney, to discuss the Ashley Turner case. Lisa provides insight into the Turner family's recent troubles, particularly the vandalism of Noah's car and Ashley's consideration of suing the school district. She explains that the school district cannot be held liable for off-campus incidents, and that Ashley's efforts to hold the school accountable for bullying were largely unsuccessful. During their conversation, they also touch on the declining health of Ray Wiley, Lisa's father. Next, Packard visits the Johnson family home to question Darrel Johnson, one of the teens involved in the car vandalism. Despite Darrel's hostile and defensive attitude, Packard learns that Darrel has been laid up with a broken leg for a week, making it unlikely that he was involved in Ashley's murder. Packard also confronts Darrel about his role in the vandalism and warns him against future bullying, emphasizing the legal consequences he faces.

Packard reflects on his behavior during the interrogation of Darrel Johnson, acknowledging his unprofessionalism. Feeling the need to make amends, he contacts Reynolds to apologize for leaving the shift meeting and updates him on his visits with Lisa Washington and Darrel Johnson. Concluding that the vandalism angle is likely a dead end, Packard and Reynolds turn their attention to new evidence. They investigate a knife and blood-stained towel found near Ashley’s house, identifying the knife as the missing one from Ashley’s kitchen and deducing the killer’s direction of travel.

Reynolds informs Packard about the progress in analyzing security footage. Packard then calls Tom Turner to come to the sheriff’s office for further questioning about his affair. During the interview, Tom admits to having multiple affairs, including one with a woman named Cara, and provides details about the timeline and aftermath of these relationships.

Packard discusses the possibility of Tom’s affairs being relevant to the investigation, despite Tom’s insistence that they are not. Tom provides information on the other women involved and agrees to let Packard contact them. Packard also informs Tom about the knife and towel found, emphasizing the importance of the DNA evidence. The chapter ends with Packard reflecting on the day’s events and preparing to drive Symphony back to Minneapolis.

Charlie sits in a holding cell, his mind clouded by a history of menial jobs and a constant battle with alcohol. Bandaged and bruised, he struggles to recall the events that led to his arrest. A deputy releases him with a stern warning to stay away from Bob's bar. Charlie trudges to the Tabard Motel, where he shares a room with Matthias, the leader of a roofing crew.

At dinner, the atmosphere is tense. Matthias addresses the crew, emphasizing the importance of commitment and hard work. Charlie apologizes for his absence and promises to do better, but Francisco, a tattooed and muscular crew member, glares at him with open hostility. After dinner, Matthias pulls Charlie aside, reminding him of the risks his actions pose to the entire operation. Charlie acknowledges his mistakes and vows to improve, but Matthias remains skeptical, mentioning Charlie's past, including a manslaughter charge related to a dead nurse.

Still reeling from the tension at the Tabard Motel, Packard returns home to find Symphony's damp robe in the guest bathroom, a sign of her recent presence. Disappointment and understanding mingle within him, but his mood lifts when Symphony returns, explaining she had gone to get gas and a car wash. Packard is relieved and quickly prepares to leave, and they set off for Minneapolis.

During the drive, Packard and Symphony delve into their personal histories. Packard shares the story of his brother Nick, who disappeared on a snowmobile, and the emotional journey he took to Paris to uncover more about Nick's life. Symphony, initially skeptical, begins to see parallels in their experiences, though she remains cautious about her feelings towards Marcus.

The conversation shifts to Symphony's life, including her battles with addiction, her diagnosis of schizophrenia, and her time in prison. She recounts how she eventually got clean and now works to help others transitioning out of prison. Packard listens intently, recognizing the depth of her struggle and the resilience she has shown. As they approach Minneapolis, Symphony directs Packard to Rose's house, where a warm meal awaits them, symbolizing a growing trust and connection between them.

Packard and Symphony arrive at Rose Simmons's house in the Folwell neighborhood of north Minneapolis, a place Packard knows well from his time with the MPD. The house, marked by satellite dishes and barred windows, triggers Packard's memories, and he recognizes it immediately. Rose Simmons greets them warmly, and they are invited inside, where the atmosphere is welcoming despite the modest surroundings.

Inside, they meet Ruby, the teenager who was shot when she was three years old. Ruby is now healthy and excelling in school, which brings a mix of emotions for Packard, who was involved in the original investigation. Over a meal of spiral-cut ham, tomatoes, and biscuits, Packard and Symphony learn more about Marcus’s continued involvement in Ruby’s life and the community, which Packard was unaware of. This revelation adds a layer of complexity to Packard’s understanding of Marcus’s character and his own past.

The conversation turns to the reasons for Symphony’s visit, and she explains how she found Rose through Marcus’s obituary and their shared history. Packard reflects on the challenges of the original case, the distrust between the Black community and the police, and the eventual closure of the case when the main suspect was found dead. The discussion highlights the deep connections and ongoing support within the community, despite the hardships they face.

As the evening progresses, Symphony shows signs of exhaustion and discomfort, and Packard offers to help her with her probation officer. He also mentions Marcus’s life insurance policy, which he has partly used to fix his house, and offers the remaining funds to Symphony. She refuses, feeling conflicted about accepting money tied to her brother’s death. The chapter ends with Symphony slamming the door, emphasizing her emotional turmoil and the unresolved issues between her and Packard.

Packard takes a solitary walk along Lowry Avenue in north Minneapolis, reflecting on the persistent inequities and violence in the area. Despite the visible signs of decay, he notices the resilient community spaces that continue to serve the neighborhood. The blue neon arch of the Lowry Bridge and the silent Mississippi River below add to the somber mood. Feeling the weight of recent events, including the storm damage, Ashley Turner’s murder, and his strained relationship with Symphony, Packard requests an Uber to Tony Jaros’s bar and heads back to Sandy Lake.

Exhausted and contemplative, Packard thinks about the complexities of his past, particularly his connection to Marcus and the new insights Symphony has provided. He considers reaching out to her but decides against it, opting to give her space. Upon arriving at Easton’s apartment, he is greeted by the lean and meticulously groomed detective, who leads him into a passionate encounter. The physical intimacy provides a momentary escape from his troubles, and Packard reflects on the nature of his relationship with Easton, wondering if old patterns are reemerging and whether he is avoiding deeper conversations about the future.

After their encounter, Packard and Easton lie in bed, with Packard feeling a strong connection to Easton but also contemplating the distance between them and his growing relationship with Kyle. He ponders the possibility of discussing their future but ultimately decides to defer the conversation, feeling too tired to delve into such heavy topics. As he drifts off to sleep, Packard’s mind empties, and he slips into a peaceful slumber, his thoughts momentarily at rest.

Charlie arrives at the Sock Tumbler laundromat early Friday morning, his mind preoccupied with the recent storm and the ongoing investigation into Ashley Turner’s murder. He sits alone, scrolling through his phone and calling Matthias to remind him it's payday. Attempting to write poetry, Charlie finds the words unsatisfying, scratching out his attempts in frustration. After finishing his laundry, he heads to the Methodist church job site, where the team is working on a complex roofing project amidst the storm's aftermath. The site is surrounded by the remnants of trees felled by the wind, creating a dangerous environment.

At the job site, Charlie confronts Francisco about Miguel, a young and inexperienced worker, being on the roof without a harness. Despite Francisco's initial resistance, Charlie negotiates a deal: he will carry one package of shingles to the roof if Francisco keeps Miguel off the roof for the day and all future jobs. Reluctantly, Charlie agrees to the task, despite his lack of physical strength. However, the weight of the architectural shingles proves overwhelming, and Charlie freezes halfway up the ladder, paralyzed by fear. He eventually climbs down, humiliated but determined to maintain his position within the crew.

Despite the setback, Charlie continues to manage the ground tasks, including filming Miguel as he climbs the ladder with two packages of shingles. The chapter ends with Charlie smoking a cigarette and reflecting on his role within the crew, acknowledging his own insecurities and the precarious balance of power among the workers.

Reflecting on the intimate moments they shared, Packard wakes up in the Minneapolis apartment, feeling a mix of warmth and unease. After a passionate encounter in the shower and a breakfast of burritos, Packard and Easton delve into the details of Ashley Turner’s murder. They discuss her bullied son and her cheating husband, piecing together the fragmented story. Easton agrees to drive Packard to Eden Prairie to interview Cara Foster, Tom Turner’s mistress, about her alibi for the day of the murder.

At Byerson Construction, Cara confirms her affair with Tom but adamantly denies any involvement in Ashley’s murder. She provides a detailed account of her activities on the day of the murder, supported by her phone’s calendar and photos. Cara reveals that Ashley once confronted her at the office, accusing Tom of infidelity and threatening him. Satisfied with Cara’s alibi, Packard and Easton part ways, with Packard heading to the bus station to return to Sandy Lake.

On the bus ride, Packard reflects on the case, considering the motives and alibis of the suspects. He texts Lisa Washington, Ashley’s lawyer, to inquire about any divorce proceedings, but learns that Ashley had not discussed divorce. Packard contemplates his relationship with Easton, pondering the intimacy and confusion it brings. He texts Reynolds to arrange a pickup in Hackensack.

Reynolds meets Packard at a restaurant in Hackensack, sharing new evidence from Ashley’s phone records. The killer used Ashley’s phone to delete a text message from a number not on her contacts. The number, likely a burner, was used to send a text at 1:47 p.m., twelve minutes before the phone was last unlocked. This suggests the killer was at the scene shortly before the murder. Packard and Reynolds discuss the implications and plan to investigate the number further.

The roofers finish their job at the church as the sun sets, and they return to the Tabard Motel, exhausted and hungry. Each man collects his weekly pay and leaves the doors open to cool the rooms. Charlie, noticing a new car in the lot, focuses on preparing dinner for the crew, consisting of grilled corn, bratwursts, and beer. The men gather at the picnic table to eat and drink, enjoying the cool evening breeze and the sounds of nature. Despite the camaraderie, tensions simmer beneath the surface, especially regarding the absence of the tree guys and the crew’s differing views on work and leisure.

During dinner, Charlie, Juan, and College Boy engage in a conversation about their lives and the challenges they face. Juan expresses concern about his cousin Luis, whose wife is unhappy with his prolonged absence. College Boy, despite his youth and inexperience, offers insights into family responsibilities, which prompts Charlie to challenge him about his own background and future plans. The discussion highlights the diverse backgrounds and motivations of the crew members, revealing underlying tensions and insecurities.

As the night progresses, the tree guys, Pete and Dustin, arrive with a woman named Darla and a supply of alcohol. Their arrival disrupts the calm atmosphere, and Charlie feels a sudden sense of unease. The introduction of a woman to the male-dominated environment creates tension, and Charlie is wary of the potential chaos it could bring. Despite his reservations, the crew begins to drink, and the atmosphere shifts from camaraderie to a more volatile state, with the possibility of conflict looming.

Charlie, feeling increasingly uncomfortable, observes the interactions between the crew and Darla. He recalls a story from The Canterbury Tales about cousins in love with the same woman, drawing a parallel to the current situation. The chapter ends with the crew gathered around the picnic table, the potential for conflict hanging in the air, and Charlie reflecting on the delicate balance of their makeshift community.

Packard and Reynolds return to Sandy Lake after a long drive, during which Packard reflects on the killer's phone number and the sequence of events leading to Ashley Turner's murder. As they pass the brush drop-off site and the Tabard Motel, Packard notices Darla Knoll’s car, suggesting she might be working again. At his damaged house, Packard receives an invitation from Kyle, the brewery owner, to join a gathering at his place.

At Kyle’s, Packard joins a bonfire with Kyle, David, and Elizabeth, a local couple who perform music and sell handmade products. They play songs by Michelle Shocked, which stir Packard’s thoughts about the past and loss. The conversation turns to recent local news, including a photo of Jill and Tim with their newborn in the Sandy Lake Gazette. Later, the couple leaves, and Kyle and Packard continue chatting. Packard shares his encounter with Symphony, Marcus’s sister, and his desire to connect with her to honor Marcus’s memory.

Kyle confides in Packard about the brewery’s struggles since the storm and offers to teach him guitar. As they sit close together, Packard leans in to kiss Kyle, but Kyle pulls away, leading to an awkward moment. Kyle explains that while he likes Packard, he’s not ready for a romantic relationship. Packard leaves feeling embarrassed and confused, driving home and reflecting on his actions.

The crew at the Tabard Motel, now drunk and hungry, decides to cook more burgers. College Boy and Luis head to the store and return with supplies, including more alcohol and frozen burger patties. The tree guys, Pete and Dustin, share tales of their grueling work, and the mood remains festive despite underlying tensions. Charlie tends to the grill, while Matthias discusses the upcoming weather forecast, predicting rain the next day, which will halt their roofing work. Matthias also mentions potential jobs in Arkansas and the Gulf Coast, suggesting they could spend months rebuilding in those areas. Charlie voices concerns about the younger crew members, particularly Miguel, advocating for a more experienced team. Matthias dismisses Charlie’s worries, insisting the work is progressing and everyone is getting paid. As the night wears on, the atmosphere grows increasingly volatile. College Boy exits the tree guys’ room, visibly distressed, and Darla, the woman, approaches Charlie, offering drugs and sexual favors. Charlie, torn between attraction and revulsion, rejects her advances. Darla then moves to the bonfire, where Juan and Luis are engaged in a heated argument. The chapter culminates in chaos, with threats and the presence of knives, leaving Charlie’s fate uncertain.

Rain pounds against the patched roof as Packard wakes up, relieved to find it still intact. He performs his rigorous morning workout routine, texts Gary about Frank, and showers. While calling Thielen, he awkwardly explains his attempt to kiss Kyle, leading to a humorous conversation about her postpartum experiences and the potential fallout from the kiss.

At the sheriff’s office, Packard encounters Kelly, who is working on a Saturday, and Shepard, who reprimands him for involving Reynolds in his trip to Minneapolis. Shepard questions Packard’s methods and the involvement of Symphony Kendricks, a woman he had released from custody. Packard defends his actions and agrees to mark the day as PTO. He then meets with Suresh, who provides details from Ashley Turner’s phone, including the deletion of a text message and the possibility of facial recognition unlocking the phone while Ashley was dying.

Packard visits the post office to ship Marcus’s belongings to Symphony but discovers the address is invalid. He then heads to Tom Turner’s house, where he discusses the investigation findings and Tom’s plans to move to Minneapolis. Tom reveals that some tree guys cleaned up a fallen tree shortly before Ashley’s murder, providing a new lead. Packard also learns that Tom received a text from Cara, the woman Tom had an affair with, adding another layer of complexity to the investigation.

Packard spends the afternoon with Suresh, reviewing video footage from various cameras around Sandy Lake to identify vehicles near Ashley Turner’s house around the time of her murder. Suresh demonstrates the capabilities of his AI-assisted database, which can sort and filter images based on time, location, and vehicle type. Despite the challenges of inconsistent time stamps and limited camera coverage, they manage to narrow down the list of vehicles to a more manageable number. However, the camera closest to Ashley’s house shows minimal activity, except for a person in a tree, which Packard notes as a potential lead.

Suspecting a connection between the tree removal and the murder, Packard calls a local landscaping company but gets no immediate answers. He then reaches out to Tess Reid, a former suspect in a previous case, who provides insights into the local tree removal business. Tess confirms that the job was likely done by storm chasers, temporary workers who move from disaster to disaster, and suggests that the crew might be long gone.

Packard calls Ashley’s best friend, Danielle, and her sister, Vanessa, to gather more information about Ashley’s life and any potential leads. Both women express their grief and provide details about Ashley’s relationship with Tom and her concerns about the future. Danielle, a prosecutor, shares that Ashley was preparing for the possibility of a divorce and had taken steps to secure financial documents. Vanessa, a nurse, reveals that Ashley was deeply concerned about the well-being of her sons, especially Noah, who had faced bullying. Neither Danielle nor Vanessa mentions anyone named Red, but Packard’s curiosity is piqued by the name on the killer’s voicemail.

He updates his report and follows up with Schmidt Landscaping, confirming that no local crew worked at Ashley’s house and that non-local crews were active in the area.

Charlie spends a miserable afternoon at the Tabard Motel, nursing a hangover and a sore body from the previous night’s chaos. The heavy rain prevents any work, and the crew is silent, avoiding discussions about the night before. Charlie discovers that his wallet has been emptied, and he suspects the woman, Darla, who offered him drugs and sexual favors the previous night, of stealing his money and leaving him with injuries he cannot remember acquiring.

Desperate for cigarettes and a drink, Charlie turns to Matthias for help. Matthias, lying on his bed and watching a knife-making competition show, reluctantly lends Charlie a hundred dollars, warning him about the consequences of his actions and reminding him of the manslaughter charge hanging over his head. Charlie’s request for the truck to go to town is denied, as Matthias has allowed College Boy to take it due to medical issues. With no other options, Charlie sets off on foot in the light drizzle, heading to a nearby BP station to buy cigarettes.

At the gas station, Charlie reflects on his past and the futility of his pursuits. He feels lost, like a character in a bleak narrative with no clear destination. The rain eases, and Charlie watches Matthias’s truck pass by, feeling bitter about being left behind. He flicks his cigarette into a puddle and continues his walk, determined to find a drink and a ride back to the motel, aware that his problems are far from over.

Packard returns to Ashley Turner’s neighborhood, determined to gather more information. He visits a house with a video doorbell to confirm its view and speaks with the homeowner, Sylvia, who explains the recent tree damage and her concerns about living alone after her husband’s death. Next, Packard talks to Adam, a neighbor who had tree work done recently. Adam reveals that the tree crew was not local and had worked on the day of Ashley’s murder, providing a photo of the handwritten bill, which lacks any identifying details about the crew.

Back at home, Packard prepares a simple dinner and listens to music, reflecting on his recent activities and his relationship with Easton. He sends Easton a playful GIF but immediately regrets it. Easton calls via FaceTime, and they discuss Packard’s challenging day and the ongoing storm damage. Easton offers to help with the repairs, and they have a heartfelt conversation about their feelings and the distance between them. The call is interrupted by a work-related call from Reynolds, who informs Packard of another murder with similar characteristics to Ashley’s.

Packard is initially reluctant to go to the scene but agrees to meet Reynolds. The victim, a white male, is found in a vehicle outside the Silver Dollar Saloon, with bruises around his throat and knife wounds to the chest, mirroring Ashley’s murder. Burdened by the storm’s aftermath and the ongoing investigation, Packard feels a renewed sense of urgency and determination to solve the case.

Packard arrives at the Silver Dollar Saloon to investigate the murder of Gerald Hall, a sixty-two-year-old local known for his conspiracy theories and drinking habits. The victim is found in his ruby red 1988 Buick Park Avenue, with bruises around his throat and knife wounds to the chest, similar to Ashley Turner’s injuries. The scene is chaotic, with yellow police tape blocking access and a privacy tent set up around the car. Packard and Reynolds note the details, including a burned cigarette on the floorboard, and prepare to interview witnesses.

Inside the bar, Packard meets with Chip Meyer, the owner, and Kristie Capote, a bartender and friend of the late Sherri Sanderson. Kristie describes Gerald as a nuisance, often spouting conspiracy theories and alien invasion stories. She recalls Gerald arguing with a man who may have been Hispanic, about legality and papers. The stranger paid in cash and left shortly after Gerald. Chip explains that the bar’s cameras are not operational, complicating the investigation. Packard runs the pool table, showcasing his skill, and gathers lists of staff and customers for further inquiry.

After the body is loaded into an ambulance, Packard returns home, reflecting on the similarities between Gerald’s and Ashley’s murders. He wonders if there is a connection between the two victims, noting Gerald’s past as a high school custodian and Ashley’s son’s bullying issues. Just as he is about to sleep, Thielen calls, revealing that she might have seen the killer earlier that day while driving home from errands.

Sunday morning in Sandy Lake is hazy and stiflingly hot, with the air quality index at an unhealthy level. Charlie and the crew are working on a small lake house, clearing the damaged roof left by the recent storm. The atmosphere is somber, with the men working mostly in silence, only breaking it with the occasional scrape of tools and the sound of nails being pulled. Miguel uses a leaf blower to clean the roof before they begin laying the underlayment, and the team pauses to admire the sunrise over the lake, a saffron yolk in a dirty white sky, with the broken trees adding an apocalyptic touch to the scene.

As the day progresses, the crew's mood lifts slightly with the music from the 1990s and 2000s playing on the radio. Charlie notices that Luis and Juan seem more deferential to Francisco, possibly due to the incident the previous night involving Francisco's tattoos and gang affiliation. During a break, Charlie reflects on his recent drinking binge and the theft of his money by the woman from the night before. He wonders if Pete, the tree guy, might have a way to contact her but dismisses the idea as futile.

The crew finishes the roofing job and calls it a day. Back at the motel, they gather for a meal prepared by Charlie. Matthias announces his plans to leave soon, having sold all the roofs he can in the area. He intends to head to southeast Arkansas, where recent storms have caused significant damage. He promises to pay the crew for the week and for their help transporting the equipment. Charlie contemplates the possibility of staying in Sandy Lake, considering a life away from his rootless existence, but the reality of his financial situation and outstanding warrant quickly dashes his hopes.

After dinner, the mood remains tense, with Luis and Juan avoiding eye contact and Miguel preoccupied with his phone. Francisco mentions something about shoes, and Juan and Miguel leave together. Charlie does the dishes and cleans up, opening his last beer before switching to whiskey. His evening is abruptly interrupted by the arrival of a sheriff’s vehicle, causing him to worry about his legal troubles.

Packard's morning is consumed by the investigation into Gerald Hall’s house, where he uncovers a cluttered home filled with old, battered furniture and a computer brimming with fringe news and cryptid theories. This discovery confirms that Gerald was deeply involved in conspiracy circles, potentially linking his beliefs to his murder. Later, a call from Dean Schmidt directs Packard to the Tabard Motel, where he meets Pete Hawkins and Dustin Weir, two men from North Dakota who were part of a tree crew working in the area. They confirm their presence on Ashley Turner’s street on the day of her murder, but their nervous demeanor and evasive answers suggest they are hiding something. Packard leaves the motel with their contact information, a lingering sense of suspicion, and a determination to uncover the truth behind the murders of Ashley Turner and Gerald Hall.

Charlie starts his day with a heavy heart, still haunted by the close call with the sheriff’s deputy the previous night. The air quality is hazardous, and the crew is already down a member with Francisco missing. Miguel informs Charlie that Francisco left with some men from his former gang, raising concerns about his safety and the crew's future. Matthias, seemingly indifferent to the situation, insists the crew proceed with the job, emphasizing the need to adapt and work despite the challenges.

The job site is a large barn converted into an event space, with a damaged gambrel roof requiring extensive repairs. The crew, now down to four, faces the daunting task of completing the job under harsh conditions. Charlie, feeling increasingly resentful towards Matthias, contemplates a potential mutiny to secure better pay and conditions. As the day progresses, the crew works diligently, but tensions rise, especially when Charlie refuses to climb the roof, leading to a heated exchange with Matthias.

Late in the afternoon, the crew makes significant progress, covering the steep sides of the barn with underlayment. However, the day takes a tragic turn when Miguel, filming himself on top of a stack of shingles, falls through a weakened section of the roof. Charlie, Juan, and Luis rush to his aid, finding him severely injured on the concrete floor. The chapter ends with Charlie holding the unconscious Miguel, the gravity of the situation sinking in.

The Ramsey County medical examiner calls Packard, providing detailed evidence that links the murders of Ashley Turner and Gerald Hall. The examiner explains that both victims were stabbed in the right ventricle and choked, with the killer using a single-edged, non-serrated blade at least six centimeters long. A piece of the knife was found in Gerald’s chest, offering a potential lead in identifying the weapon. Meanwhile, Packard uncovers Pete Hawkins’ criminal record, which includes possession of methamphetamine and domestic assault. Reflecting on his past encounter with Darla Knoll and her pimp, Chuck, Packard decides to reach out to her for more information.

The crew faces a critical decision after the tragic accident at the barn. Charlie, Juan, Luis, and College Boy, aware of the legal implications involving two undocumented workers and a minor, decide against calling the police. Instead, they bury Miguel’s body in a nearby compost pile, a somber and secretive act that weighs heavily on each of them.

After the burial, the crew discusses their future plans. Charlie proposes a scheme to finish the barn job and then part ways, ensuring they get paid before Matthias leaves for Arkansas. College Boy, initially hesitant, agrees after Charlie convinces him of the plan’s necessity. They decide to offer the barn owner a discount for cash, splitting the earnings among themselves. Charlie also plans to mail Miguel’s phone to the police later, hoping to bring closure to the boy’s family.

Back at the motel, Charlie confronts Matthias about the missing Francisco and Miguel. Matthias dismisses their absence, claiming Francisco often leaves without his belongings. Charlie demands a wage increase due to the reduced crew size, but Matthias refuses, prioritizing his profits. Charlie retrieves Miguel’s belongings and disposes of them, a painful task that further burdens his conscience.

The chapter concludes with College Boy discovering a wallet and two driver’s licenses, hinting at a deeper conspiracy within the crew. Charlie locks the door, preparing to address this new revelation, setting the stage for further tension and uncertainty.

At the shift meeting, the supervisor announces a headless body in the hospital, and Reynolds confirms a good match based on the tattoos. Packard remains silent about the link between Ashley Turner and Gerald Hall’s murders to avoid panic. After the meeting, Packard catches up with Reynolds to discuss the headless body, which is identified as Francisco Ayala, a former member of the 19 Knights cartel gang, likely targeted for his past testimony against the gang.

Packard and Reynolds visit the hospital to confirm Ayala’s identity. The body is gruesomely mutilated, with no head and missing fingers, indicating torture. Packard recalls his childhood experience witnessing a chicken slaughter, reflecting on the desensitization required to handle such scenes. They discuss the possibility of a torture location and the likelihood that the killers have fled the area.

Back at the office, Packard checks in with Suresh, who reports no conclusive leads from the AI analysis of surveillance footage. Packard receives a text from Kyle, apologizing for a previous incident, but he is distracted by the mounting pressure from Chief Shepard. Shepard, frustrated by the lack of arrests, demands results and expresses concern about the public reaction to the headless body. Packard advises Shepard to keep the details confidential and to manage the local media.

The chapter concludes with a sudden urgency as Reynolds informs Packard that Thielen has been attacked in her home, prompting an immediate response from the department.

Still reeling from the news, Packard races to Jill Thielen’s house after learning she and her baby were attacked. Despite the initial relief that they are both unharmed, the gravity of the situation hits him hard, especially given the personal nature of the attack. Jill recounts the terrifying encounter with a man who matched the description of the suspect in Gerald Hall’s murder, confirming Packard’s suspicions that the same individual is responsible for multiple crimes.

Jill describes how she managed to fend off the attacker by slamming the door and locking herself in the bedroom, where she kept her gun. Packard and Reynolds analyze the scene, noting the splintered doorframe and the strategic placement of the baby in the bathtub for safety. They also discover that the attacker was likely identified through a neighbor’s security camera, which captured a white pickup truck with a magnetic sign outline, suggesting a cover-up of the vehicle’s identity.

Packard’s phone rings with a call from Darla Knoll, a local sex worker, who provides crucial information about the motel where the tree guys and roofers are staying. Darla mentions a young man who tried to choke her, aligning with the method used in the murders of Ashley and Gerald. She also describes a well-built, tattooed man with two big Xs on his chest, which matches a significant detail from the headless body found earlier. This information suggests a possible connection between the motel and the murders.

Back at Jill’s house, Packard, Reynolds, and Jill discuss the new leads. They conclude that the motel is the best lead and decide to investigate further. Packard insists on checking on Jill later, emphasizing his concern for her safety. The chapter ends with a determination to follow up on the motel and the individuals staying there, highlighting the growing interconnectedness of the cases.

Charlie returns to the barn in the afternoon, still reeling from the morning's events in town. He patches the hole Miguel fell through with plywood and replaces the string lights, each task bringing a small sense of relief as his plan to leave Matthias and the crew begins to take shape. The barn, once a place of camaraderie, now feels like a prison from which he must escape.

Matthias arrives unexpectedly with the barn’s owner, Lyle, who is pleased with the work and pays Charlie the agreed-upon cash discount. However, Matthias, having learned about the discount from Lyle, confronts Charlie, accusing him of planning to steal the money and flee. He takes back the payroll, pays Juan and Luis a bonus, and dismisses them from future jobs.

The confrontation escalates as Matthias threatens to turn Charlie over to the police. Charlie, undeterred, reveals that he found discrepancies in Matthias’s identity, including another man’s ID and credit cards. This revelation puts Matthias on the defensive, and the two men stare each other down, the tension palpable. The chapter ends with the sound of a nail gun from above, a stark contrast to the heated exchange below.

Back at the office, Packard contacts Grant Tabard, the owner of the Tabard Motel, to obtain personal information on the current guests. Tabard, known for his lax approach to managing the motel, refuses to cooperate without a warrant, citing his need to protect his reputation. Packard, undeterred, threatens to expose the motel’s sordid history on social media, but Tabard stands firm, forcing Packard to initiate the warrant process.

Packard enlists Deputy Baker to gather the make, model, and plate numbers of vehicles parked at the Tabard Motel. While waiting for the information, Packard reviews dispatch logs and discovers a 9:00 p.m. call to Bob’s Bar involving a drunk patron, Charlie, who was staying at the Tabard Motel on the day Ashley Turner was murdered. This leads Packard to compile a list of individuals connected to the motel, including Pete Hawkins and Dustin Weir, tree workers, and Francisco Ayala, the headless victim.

Reynolds completes the warrant application, and Judge Westin agrees to review it promptly. Packard instructs Reynolds to deliver the warrant to Tabard and ensure he provides all necessary information. At the second-shift meeting, Packard updates the team on the ongoing investigation and requests additional surveillance at the motel. Overwhelmed by the pressure of the cases and the recent attack on Thielen, Packard heads home, eats a simple dinner, and then drives to Thielen’s house to check on her.

Upon arriving at Thielen’s house, Packard finds her visibly distressed and comforting her. He reassures her, holding her tightly and promising that everything will be alright. The chapter ends with a poignant moment of human connection amidst the chaos and uncertainty of the ongoing investigations.

Reynolds hands over the requested information from the Tabard Motel, but the details are sparse. The motel is nearly fully booked, with only two people registered: Pete Hawkins and Matthias Fredricksen, who has rented five rooms for his crew. The evening shift deputy managed to get the plates of a Ford Super Duty pickup and a white cargo van, both registered to Otto Fredricksen, a seventy-one-year-old man with a history of minor offenses and an outstanding bench warrant.

Packard runs Matthias Fredricksen through his databases but finds no records, leading him to speculate that Otto and Matthias might be the same person using an alias. He calls the sheriff’s department in Otto’s home county and learns that Otto’s home is rented to a teacher named Julia, who hasn’t seen him since signing the lease. Packard also discovers that Otto’s children, Matthias and Marieke, died in a tragic car accident twenty-five years ago, which deeply affected Ashley Turner, who was friends with Marieke and had dated Matthias.

Packard contacts Ashley’s sister, Vanessa, who confirms the connection between Otto and Ashley. He then speaks with Julia, the renter, who describes her landlord as middle-aged and blond, which doesn’t match Otto’s mugshot. Julia mentions a foul smell coming from a padlocked shed on the property. Packard asks Deputy Harker to send a deputy to investigate the shed, suspecting it might contain a body.

The chapter ends with Packard piecing together the connections between Otto, Matthias, and the motel, and preparing for the potential discovery of a body in Otto’s shed, which could provide crucial evidence in the ongoing investigation.

In Shepard’s office, Packard discusses his investigative methods with the skeptical Sheriff, emphasizing the importance of visual aids in solving cases. Packard outlines his plans to surveil the Tabard Motel and gather more information on the occupants, particularly focusing on the possibility that someone is impersonating Otto Fredricksen. Reynolds interrupts with new information from Tabard and his daughter, confirming that the person renting rooms for the roofers is not Otto and providing a rough breakdown of the current occupants.

Just as Packard is digesting this information, Kelly announces that a high school student named Blake Cooper is there to make a confession. Blake admits to his involvement in the vandalism of Noah Turner’s car and expresses remorse, fearing the loss of his college scholarship. He then reveals that he has been working on a roofing crew with Charlie, Juan, Luis, and others, and witnessed the accidental death of Miguel, a young worker from El Salvador. Blake confesses that he helped Charlie bury Miguel’s body under a compost pile at a barn on Highway 12.

While Blake is still in the office, Packard receives a call from Sheriff Griffith in Stevens Point, confirming that a body has been found in the shed on Otto Fredricksen’s property, believed to be Otto himself. Just as Packard processes this information, he gets another call from dispatch, informing him that the Tabard Motel is on fire, and emergency services are en route.

Charlie returns to the Tabard Motel, clutching two one-liter bottles of whiskey, his mind still reeling from his confrontation with Matthias. He manages to negotiate a final payment and a bonus, but Matthias sternly warns him not to speak to the police. With the money in hand, Charlie feels a sense of freedom and takes the keys to the pickup truck from Luis, promising to return it later. He drives aimlessly, drinking heavily, and eventually finds his way back to the motel room. There, he finishes the first bottle of whiskey and collapses into bed, the second bottle still clutched under his arm.

In his drunken stupor, Charlie contemplates writing a book about his experiences, dedicating it to Miguel, the young worker who died on the job. The idea of jail seems almost appealing, a place to dry out and write. However, his inebriated state leads to carelessness, and he accidentally starts a fire with a lit cigarette. By the time Charlie realizes the danger, the bed is engulfed in flames, and he is trapped, screaming as the fire consumes him and the room.

Black smoke billows from one of the units at the Tabard Motel when Packard arrives, firefighters already dousing the flames. Two men, identified by Blake as Juan and Luis, are detained by deputies. Packard orders a Spanish translator to assist with questioning them, threatening arrest if they do not comply. Grant Tabard, the motel owner, protests the destruction of his property, but Packard remains focused on the tree workers.

Once the fire is extinguished and the building declared safe, Packard and Reynolds enter the smoldering room. A badly charred body lies on the bed, covered in melted synthetic fibers. The room reeks of burning chemicals and a scent reminiscent of burnt meat. Packard identifies the room as Matthias Fredricksen’s based on Blake’s information. He examines a soggy notebook and two phones found in a nightstand drawer. One of the phones vibrates when Packard calls a number linked to Ashley’s phone, confirming it belongs to the occupant of the room.

Reynolds discovers a charred pair of pants and a leather wallet. Inside the wallet is a driver’s license identifying the victim as Charles Richardson, the foreman. This revelation is a significant setback for Packard, who had hoped to apprehend the killer of Ashley Turner and Gerald Hall. The real Matthias Fredricksen had died in a car accident as a teenager, and his father, Otto Fredricksen, known as Red, was found dead in a shed in Wisconsin. The man in the room, while posing as Matthias, was actually Charlie, leaving the true killer still at large and untraceable.

Packard spent the evening questioning Juan, Luis, Pete, Dustin, and Blake at the sheriff’s department, hoping to uncover more about the mysterious Matthias Fredricksen and the recent events. He ordered in pizza and water to keep everyone compliant, though no one was under arrest. Reynolds discovered that Charles Richardson, the man who died in the fire, had an outstanding warrant for manslaughter as an accessory due to serving drinks to a drunk customer who caused a fatal accident.

Juan and Luis provided insights into how Matthias recruited them through Craigslist, offering better pay and the opportunity to travel. They described him as kind and fair, but they knew little about his personal life beyond his claim of having a father in a nursing home. Both men became visibly distressed when discussing Miguel’s death, with Luis breaking down in tears, expressing his desire to return home to his family.

Pete and Dustin, the tree workers, revealed that they often referred jobs to each other and had limited interaction with Matthias, avoiding discussions about Darla and the drug trade.

Blake shared more details about the crew's plans and Charlie's growing distrust of Matthias. He explained that Charlie intended to steal the payment for the barn job and flee, leading to a strained relationship between the two. Blake also disclosed that he had quit the job earlier, finding two wallets in Charlie’s room, one of which belonged to Matthias. Although he couldn’t recall the name on Matthias’s ID, he had taken a photo of it, which he showed to Packard. This revelation provided a crucial lead in identifying the man who had been impersonating Matthias Fredricksen.

Packard presents new evidence to Shepard and Reynolds, revealing the identity of the man who had been impersonating Matthias Fredricksen as Travis Kimball. Kimball, a former employee of Otto Fredricksen, had a history with the elder Fredricksen, including being present during a poaching incident. Packard believes Kimball killed Otto and assumed his identity to continue the business, later switching to Matthias’s identity to avoid local scrutiny in Stevens Point.

Further investigation shows that Kimball recruited his crew in Florida and moved them to various states, following natural disasters to find work. Packard theorizes that Kimball killed Ashley Turner because she recognized him as an impostor and Gerald Hall because Hall threatened to report his workers to ICE. Kimball also attempted to eliminate Jill Thielen as a witness.

Packard outlines the evidence they have, including DNA samples and the phone used to contact Ashley, and plans to track Kimball through his financial transactions. Shepard emphasizes the need to catch Kimball, to which Packard agrees, noting that with Kimball’s ID and financial records, they will be able to locate him when he uses his accounts. The team is confident that Kimball cannot remain off the grid indefinitely, and they are determined to bring him to justice.

Packard heads to Suresh’s office to analyze the phones recovered from the Tabard Motel. Suresh has extracted call logs and data, revealing that Ashley Turner’s number was among the contacts and that the phone received forwarded calls from a Wisconsin number, likely belonging to Otto Fredricksen. Suresh also uncovered a subculture of young roofers on TikTok, using the hashtag #ruferitos, and found videos posted by Miguel, including a brief, unsuspecting appearance of Travis Kimball.

The videos exposed Francisco’s involvement with a Mexican gang called the 19 Knights, which likely led to his murder. Suresh noted that Miguel’s family was trying to reach him via WhatsApp, unaware of his fate. Packard instructed Suresh to extract clear images of Travis Kimball and identify the vehicles in the videos to help track Kimball’s movements.

Back in his office, Packard and Reynolds discuss potential next steps in locating Travis Kimball. They rule out Arkansas as a likely destination, considering Kimball’s lack of resources and the possibility that he might still be in the area. Packard speculates that Kimball might be planning to revert to his former identity, either in a new location or a familiar one like Minneapolis or Denver. Packard proposes a strategy to draw Kimball out based on their understanding of his behavior and past locations.

Following the discovery of Travis Kimball's presence in the Twin Cities, Charlie takes a drastic step. He posts a Craigslist ad listing his roofing equipment and vehicles for sale, including a 2010 Ford E Series cargo van, a 2013 Ford F250 Super Duty pickup truck, and various roofing tools, all priced at $30,000 or best offer. The ad suggests that Charlie is looking to exit the roofing business, a significant shift in his plans, likely a response to the mounting threats and the loss of trust within his group, particularly after the revelations about Travis Kimball and the deaths of his friends.

The ad’s details, such as the inclusion of vehicle titles and the insistence on cash transactions, hint at Charlie’s urgency and the need for a quick sale. The phrase 'Everything but the crew' implies that Charlie is severing ties with his associates, potentially to protect them or to start anew elsewhere. By providing a direct line of communication—Charlie’s phone number—the ad sets the stage for further developments in the investigation. Packard and his team might use this information to track down Charlie or to uncover more leads about Travis Kimball’s whereabouts and activities.

With the help of Detective Easton and the Minneapolis PD, Packard and his team track a withdrawal from Otto Fredricksen’s social security check at an ATM in south Minneapolis, confirming that Travis Kimball is in the area. Video footage shows Kimball using a white pickup truck. Packard devises a plan to lure Kimball out by posting a Craigslist ad listing Charlie’s roofing equipment and vehicles for sale, hoping Kimball will recognize the items and respond.

The ad works, and Kimball sends a series of texts questioning how Charlie could have the titles to the vehicles. Packard, pretending to be Charlie, engages in a cautious and strategic text exchange with Kimball, who eventually agrees to meet. As the evening progresses, Kimball grows more insistent, and Packard prepares to head to Minneapolis to coordinate with the Minneapolis PD.

Packard discusses the legal issues surrounding Juan and Luis with the county attorney, refusing to charge them and instead helping them connect with a local Hispanic organization. He also informs Pete and Dustin that it’s time to leave town. Before setting off, Packard calls Easton to arrange a meeting and informs him that he will bring Frank, his dog, who has been staying with Gary. The chapter ends with Packard determined to bring Kimball to justice as he heads to Minneapolis.

Packard, posing as Charlie, engages in a tense and rapid-fire exchange of text messages with Travis Kimball. Kimball’s messages reveal his growing desperation and suspicion, as he demands to know the location of the roofing equipment and vehicles, insisting they are his property. Packard maintains his cover, suggesting a meeting to discuss the terms of the sale and to hand over the equipment. Kimball’s responses become increasingly urgent and paranoid, indicating his awareness of being tracked and his need for immediate cash. Despite his initial reluctance, Kimball’s desperation pushes him to agree to meet, setting the stage for a confrontation. The brevity and intensity of the text messages underscore the high stakes and the tension building between the two parties. The chapter concludes with the arrangement of a meeting, highlighting the strategic and dangerous nature of Packard’s plan to apprehend Kimball. The text messages serve as a critical tool in luring Kimball out, while also revealing his state of mind and the risks he is willing to take.

Following the tense text message exchange, Packard meets with the Minneapolis Police to strategize the trap for Travis Kimball. The MPD suggests a remote location to minimize risks, but Packard insists on a public place like the Stone Arch Bridge area, arguing it will catch Kimball off guard. The sergeant voices concerns about the high foot traffic and the jurisdictional complexities of involving multiple precincts, highlighting the bureaucratic hurdles Packard must navigate.

A terse and direct text message exchange unfolds between Packard, still posing as Charlie, and Travis Kimball. Kimball grows increasingly impatient and desperate, demanding the exact location of the roofing equipment and vehicles, emphasizing that he has cash ready. Packard, maintaining his cover, provides a specific meeting point in Minneapolis: St. Anthony Main, in front of a coffee shop near the movie theater, at 10 AM.

The brevity and urgency of the messages underscore the high stakes and the tension building between the two. Kimball’s insistence on immediate action and his willingness to meet in person reveal his growing desperation and paranoia. Packard’s calm and strategic responses demonstrate his control over the situation, setting the stage for a potentially dangerous confrontation. The chapter ends with the arrangement finalized, leaving the reader on edge as the plan to apprehend Kimball moves forward.

Packard, Easton, and Zigman prepare for the sting operation at St. Anthony Main in Minneapolis. Packard takes a position on a bench near the coffee shop, Easton stands on the Stone Arch Bridge, and Zigman hides in a nearby parking ramp. The sun shines brightly, creating a stark contrast to the tense atmosphere as they await Kimball's arrival.

Kimball shows up twenty minutes early, walking instead of driving the expected white pickup. He appears calm but vigilant, scanning the area for the van. Packard alerts Easton via text, but Kimball spots Packard and bolts on a stolen bicycle. Packard gives chase, with Zigman and Easton coordinating to intercept him. The pursuit leads them through the bike path and down to the Mississippi River, where Kimball, cornered and desperate, leaps into the swift, rain-swollen current.

Packard and Zigman watch helplessly as Kimball is swept away by the river. Recalling a previous rescue attempt in icy waters, Packard decides not to follow. He calls Easton to request a water rescue. The chapter concludes with Kimball struggling in the river, realizing he cannot control his fate as he is carried downstream, while Packard and Zigman follow the shore, hoping to find a way to save him.

Later that evening, Packard sits in Easton’s bed, nursing the injuries sustained during the intense chase with Travis Kimball. Despite the physical pain, he reflects on the successful apprehension of Kimball, who, though initially presumed dead, managed to survive the river and was later caught by Minneapolis police with a gash to his thigh and a broken rib. Kimball’s ordeal left him compliant and unable to escape further.

Under the influence of pain medication, Packard contacts Tom Turner to inform him of Kimball’s arrest and the closure of the case involving Ashley Turner’s murder. Tom is deeply grateful and emotional, promising to inform Ashley’s family and friends. Packard also extends an offer to speak at Noah’s school’s LGBT group, a gesture that Tom appreciates. Throughout the evening, Packard receives numerous calls, updating him on various aspects of the ongoing investigations and cases.

A call from Ruby’s grandmother, Ms. Simmons, brings unexpected news. She informs Packard that Symphony has been diagnosed with breast cancer and is undergoing chemotherapy. The revelation shocks Packard, who feels a heavy weight of concern and disbelief. He asks Ms. Simmons about Symphony’s support system and expresses his desire to bring her some personal items, including Marcus’s badge and a family photo album, as a gesture of support.

Feeling guilty about leaving his dog with Easton, Packard sets out early in the morning to visit Symphony in St. Louis. The journey is long and painful due to his broken arm, but he pushes through, stopping for a meal and a pillow to ease his discomfort. Upon arriving at the hospital, he finds Symphony in the infusion center, where she is receiving chemotherapy treatment. She is initially surprised and somewhat reluctant to see him, but they quickly fall into conversation, with Packard sharing stories about Marcus to pass the time.

Symphony listens intently, asking questions and sharing her own memories and regrets. Packard presents her with the family photo album and Marcus’s badge, which she accepts with gratitude and a sense of closure. Their conversation reveals a deeper understanding and mutual respect, despite the difficult history between them. Packard offers to help Symphony with practical needs, such as a new mattress and gift cards for food delivery, which she accepts hesitantly, acknowledging the limits of what external help can do for her situation.

After setting up the new mattress and providing the gift cards, Packard and Symphony have a heartfelt discussion about the legacy of Marcus’s life insurance money. Symphony firmly declines the offer to take the money, emphasizing her need for independence and self-determination. Packard, humbled by her perspective, acknowledges the importance of respecting her choices and the value of Marcus’s intentions. The chapter concludes with Packard watching Symphony walk slowly into her building, reflecting on the complexity of their relationship and the hope that they will cross paths again.

Packard’s arm starts hurting as he continues his journey back to the Cities, forcing him to stop at a hotel. After taking a Vicodin, he sleeps soundly and then drives back to Easton’s place. He naps with Frank, Easton’s dog, until Easton gets off duty. Easton invites Packard to stay for a few days, and despite his initial reluctance, they end up spending intimate time together, navigating Packard’s injuries.

Two days later, Packard and Easton are enjoying a quiet evening on the back deck, preparing steaks and baked potatoes. The weather has cooled, and they reflect on the progress they’ve made on Packard’s house, including new drywall and repairs to the chimney. Packard feels a sense of hope and resilience, thinking about how the community can recover from the storm. However, his phone rings, and it’s Chief Steve Ridley from the Dodge City Police Department in Kansas, calling about three men in custody who were found with a human head in a cooler.

Packard is surprised when the chief confirms that the head likely belongs to Francisco Ayala, whose body they discovered earlier. Just as he’s processing this information, Kyle unexpectedly arrives at the door and kisses Packard. Packard is stunned, and the moment is awkward as Easton stands holding a platter of steaks. Packard is left to navigate the sudden tension, feeling a mix of surprise, confusion, and a strange urge to drive to Kansas to deal with the head himself.